A strange, quiet evening when dinner’s too early because Jackie was at the dentist and they brought back Shake Shack. Now golden sunlight streams across the space and birds are chirping and there’s nothing to do, not even a kid to put to bed.

On my morning run I thought of writing a play about the tragedy. Why not after all? As I turned around at the end of the park I thought of a cutely poignant little ending. Then I thought no. Now I’m not sure.

Sunday before last we had dinner in a covid enclosure on the street, a neighborhood Italian on Sixth Ave. We took our time, had dessert. Everyone so nice and friendly. I observed a shadowy figure pacing a living room on the second floor above the restaurant. A drizzle began to fall but not on us.

On our way back we passed another restaurant. Their street tables were bustling. The food looked good. We thought we’d like to try it sometime. Just past its perimeter, where cars again occupied the parking spots, there was something strange. You could feel it before you saw it. A nice SUV parked beneath a tree, dotted with fresh rain. The windshield was smashed in by a pipefitter’s wrench that remained nestled in the breach, radiating a web of cracks across the glass. It seemed staged, theatrical. Like there was a hidden camera capturing our reactions. A performance art installation, maybe. The wrench was just too perfect. Weighty, industrial. Everything else was just so pretty. The dusting of pink blossoms on the cars and street. The lamplit walls and stoops. We scrutinized the wrench for a minute. Peered at the front seat of the car, apparently unaffected. We thought of taking pictures but we didn’t.