In the break room at work today, two women sat at a table. Fresh faced, sexy, project managerly types. As I passed by, I heard one say to the other:
"So now who's the douche?"
Wednesday, December 14, 2011
I Did Not Know You Loved Me
There was a man swinging his kid beside me and Sophia at the park. About a four-year-old, I guess. The dad spoke with an aristocratic-sounding Spanish accent. I could only hear his side of their conversation. It went like this:
"Michael, what would you like for dinner? Pizza? Would you like fries?"
"Would you like French fries for dinner, Michael? Would you like French fries?"
The chains creaked with each thrust of the man's hand.
"What would you like for dinner? French fries? Michael. What would you like for dinner?"
"Michael. Would you like French fries for dinner? Yes? Or no?"
"Would you like French fries, Michael? For dinner? French fries with ketchup."
"Thank you Michael. I did not know you loved me."
"What would you like for dinner, Michael? Answer me. Would you like some French fries?"
"Yes or no, Michael. Would you like to have French fries for dinner?"
I picked Soph up out of the swing and we looked up to watch a plane go by. Then I put her in her stroller to go home.
"Michael, what would you like for dinner? Pizza? Would you like fries?"
"Would you like French fries for dinner, Michael? Would you like French fries?"
The chains creaked with each thrust of the man's hand.
"What would you like for dinner? French fries? Michael. What would you like for dinner?"
"Michael. Would you like French fries for dinner? Yes? Or no?"
"Would you like French fries, Michael? For dinner? French fries with ketchup."
"Thank you Michael. I did not know you loved me."
"What would you like for dinner, Michael? Answer me. Would you like some French fries?"
"Yes or no, Michael. Would you like to have French fries for dinner?"
I picked Soph up out of the swing and we looked up to watch a plane go by. Then I put her in her stroller to go home.
Pyramids Come From a Million Years Ago
I stepped onto the A train after work, late at night. It was crowded but for one of those deceptive oases of empty seats that always surrounds some offense just foul enough to keep the weary on their feet. A leaking bottle. A pile of puke. This time it was a piss-soaked man. Those nearest him covered their noses with the collars of their shirts, eyed him warily and tittered amongst themselves. One last, intrepid holdout finally got up and walked away, leaving an entire bench to the bum, who stretched his arms up happily, perhaps victoriously, and sprawled across the seats.
I switched to the F at Jay Street and this time there was an angry drunk.
"Never mind, never mind, I'll shut up now," I heard him say to a woman and her two young daughters. There was an Indian man nearby.
"Fucking curry-eating motherfucker," shouted the drunk, who was light skinned but not quite white. Maybe Hispanic, Mediterranean. Could have been North African. His worn jeans seemed to be dotted with dried blood.
He began to conflate Indians with Native Americans. "You Indian motherfuckers, we took your land."
The woman and her girls got off and I sat down. I wanted both to be near this man and far away. Everyone else was studiously ignoring him. Trying to do normal things like read the paper. Breathe.
"In Africa, they got pyramids!" he shouted. "Listen to me!" He slid forward on the bench and pounded his soda bottle in the middle of the floor. "They got, they got, they got pyramids no fuckin' nuclear bomb can touch." He laughed a little. "Fuckin' people don't understand. They got pyramids, come from a million years ago."
He sat back and grumbled for a while. My stop was coming up. Seventh Ave. Before I got up he turned to the Chinese guy sitting beside him.
"An' this little yellow Chinese motherfucker right here..." he drawled menacingly.
I got out and walked toward the stairs. A few moments later the train moved again, and I wondered what I'd see when the car came by. One man standing over another, arms swinging madly, onlookers aghast?
I turned around to see. The troublemaker sat alone, apparently silent, looking through the other window at the dark.
I switched to the F at Jay Street and this time there was an angry drunk.
"Never mind, never mind, I'll shut up now," I heard him say to a woman and her two young daughters. There was an Indian man nearby.
"Fucking curry-eating motherfucker," shouted the drunk, who was light skinned but not quite white. Maybe Hispanic, Mediterranean. Could have been North African. His worn jeans seemed to be dotted with dried blood.
He began to conflate Indians with Native Americans. "You Indian motherfuckers, we took your land."
The woman and her girls got off and I sat down. I wanted both to be near this man and far away. Everyone else was studiously ignoring him. Trying to do normal things like read the paper. Breathe.
"In Africa, they got pyramids!" he shouted. "Listen to me!" He slid forward on the bench and pounded his soda bottle in the middle of the floor. "They got, they got, they got pyramids no fuckin' nuclear bomb can touch." He laughed a little. "Fuckin' people don't understand. They got pyramids, come from a million years ago."
He sat back and grumbled for a while. My stop was coming up. Seventh Ave. Before I got up he turned to the Chinese guy sitting beside him.
"An' this little yellow Chinese motherfucker right here..." he drawled menacingly.
I got out and walked toward the stairs. A few moments later the train moved again, and I wondered what I'd see when the car came by. One man standing over another, arms swinging madly, onlookers aghast?
I turned around to see. The troublemaker sat alone, apparently silent, looking through the other window at the dark.
Labels:
Brooklyn,
Overheard,
The Subway
Wednesday, December 07, 2011
I
stood in the aisle with the analgesics. Scrutinizing the rows and rows
of little boxes, looking for some generic naproxen sodium. Sophia sat in
the baby carrier on my chest, her head tilted up at the drop-tile
ceiling. I perceived a mild commotion nearby. A bearded man with glasses
held out his hands and waved them gently, as though he were expecting
to be passed a basketball. He murmured something unintelligible. I
stared at him. He turned around and walked away.
On the way out the store he passed me as I fed her a bottle. He said something else. Something else I couldn’t understand. Maybe it was the same thing as before.
On the way out the store he passed me as I fed her a bottle. He said something else. Something else I couldn’t understand. Maybe it was the same thing as before.
The Enterprise - 33
Robyn
lived alone in some rundown flat near Port Authority. I imagined a bare
room lit by a single, overhead bulb. Mattress on the floor. She got in
late one day and I asked her why on instant message. She said she’d been
in court fighting her landlord. It was one of those dreary, murky
disagreements—a dilapidated building, kept up on the cheap; she got fed
up, quit paying rent. He shut off her heat. So she’d taken a cold shower
and charged downtown to sue the bastard.
There we were typing at each other, separated by the sculpture and the potted ferns. I knew she was sitting over there at her cluttered desk. Typing at me just as I typed back at her. Words and the spaces in between. I had to admit I was drawn to her purple highlit hair and tired eyes, her mania, her discombobulation. At the end of our exchange I asked her out to dinner.
We went to a chic French bistro on Park Ave. I don’t remember what we talked about. Work. The people at work. We got in a cab together, after. She laid her head on my lap with a sigh, playing it like she was too drunk and tired to sit up. And maybe she was. But there she was. Head heavy on my thigh. Her hair splayed over me, over my arm and the vinyl seat. Purple strands glinted in the passing lamplight. I could smell it—a warm and faintly bitter fragrance. The smell of an unfamiliar woman. Why didn’t I kiss her? Why didn’t I touch her? I don’t know why. But I didn’t. The cab pulled up on 43rd Street and she got out. As we pulled away I watched as she hunched over the lock to her building’s scuffed and dented metal door.
There we were typing at each other, separated by the sculpture and the potted ferns. I knew she was sitting over there at her cluttered desk. Typing at me just as I typed back at her. Words and the spaces in between. I had to admit I was drawn to her purple highlit hair and tired eyes, her mania, her discombobulation. At the end of our exchange I asked her out to dinner.
We went to a chic French bistro on Park Ave. I don’t remember what we talked about. Work. The people at work. We got in a cab together, after. She laid her head on my lap with a sigh, playing it like she was too drunk and tired to sit up. And maybe she was. But there she was. Head heavy on my thigh. Her hair splayed over me, over my arm and the vinyl seat. Purple strands glinted in the passing lamplight. I could smell it—a warm and faintly bitter fragrance. The smell of an unfamiliar woman. Why didn’t I kiss her? Why didn’t I touch her? I don’t know why. But I didn’t. The cab pulled up on 43rd Street and she got out. As we pulled away I watched as she hunched over the lock to her building’s scuffed and dented metal door.
Labels:
Fiction,
Sex,
The Enterprise,
Work
Tuesday, November 15, 2011
Word Search
From the platform I saw a disheveled man on the G Train. Not too old, probably homeless. He had dirty, dark hair and bore an awful crimson blotch across his face and neck. The sort of mark that plunges you into the margins. But he had something in his hands. A pen and a paper. What was he doing? I saw him draw a loop within a grid of letters. A loop around a word. He was doing a word search.
Labels:
The Subway
Friday, November 11, 2011
This
building stands farther from the street than it should, farther than
the others, as though preliminary blueprints had called for a moat. It’s
distinctive but dated. Someone must have thought it beautiful, once.
You walk in the lobby and there’s towering art on every wall, semi-sculptural art, huge frames erupting with geometric shapes and colors. Art that comes out at you. Shiny marble floor, pearly white and maroon. Workers crisscrossing to their respective elevator banks in the morning. At night, when you leave, the floor is dotted with delivery guys standing immobile in their caps and white jackets, white plastic bags at their feet, waiting for their overworked customers to scurry toward them with a fistful of bills.
You walk in the lobby and there’s towering art on every wall, semi-sculptural art, huge frames erupting with geometric shapes and colors. Art that comes out at you. Shiny marble floor, pearly white and maroon. Workers crisscrossing to their respective elevator banks in the morning. At night, when you leave, the floor is dotted with delivery guys standing immobile in their caps and white jackets, white plastic bags at their feet, waiting for their overworked customers to scurry toward them with a fistful of bills.
Labels:
Architecture,
Work
Thursday, November 03, 2011
As I descended to the F Train platform at West 4th I heard a man behind
me tell his friend: "You wanna know somethin' funny 'bout this
staircase? Once I beat the shit out of someone on this staircase."
Labels:
New York City,
Overheard,
The Subway
Thursday, October 20, 2011
I entered the massive main space of the Armory Y, gave my card to the security lady, walked toward the hallway to the exercise rooms. “Cold Sweat” was playing from some speakers somewhere, on the other side of the track with the basketball court inside. There didn’t seem to be anyone anywhere.
I passed the main desk by the wall and observed the woman sitting there, a young black woman. She looked up across the room and her face lit up with glee.
“That’s right!” she shouted.
I looked where she was looking. A man had emerged from one of the corridors and was dancing on the parquet floor, tight little steps, a spin. And then he stopped and turned away, gave a little wave, and walked back into the dark.
Friday, October 14, 2011
You Never Take Candy from Strangers
There was a quick storm that left beads of rain on the office windows. There’s a hole in the sky up on the right where the sun was shining this whole time. But the clouds are moving fast. They cover it up. They let it shine again.
I can see 14th Street from here—from 26th. Just the intersection with Eighth. All the way Downtown the rising Freedom Tower glitters from behind a shroud.
I’m in an odd little annex to the main room on the floor. The 13th floor. 12A if you want to know the truth. There’s a glass partition between us in here and everybody else, as though we’re exhibits in a diorama, or they are.
In the front corner of our space two steps lead to a door that opens upon a strange space behind a parapet. A walkway, except it’s not for anyone to walk. There’s a gutter there, and two industrial air conditioners. It’s the sort of door that no one’s ever meant to open, leading to a place that no one’s ever meant to go.
It reminds me of being about five or six at JFK Airport. We were going to France. I was excited—as usual. The clean and modern, formal space. The candy stands and restaurants and bars. All the people walking by so resolute.
My mom and I ambled through the passageways, looking at the planes. There was ours, a TWA 707, in peppermint-stick white and red stripes in the sun. I saw a door that led to the graveled roof of the concourse below. A door you should not open. A door you must not open.
An old lady with lipstick on appeared. She leaned over me, saying what a cute boy, what a nice boy. She handed me a Jolly Rancher. I took it.
“What do we say?” Mom said.
“Thank you.”
And the lady was out of sight. My mom demanded it from me.
“Why?” I protested.
“Because you never take candy from strangers.”
I can see 14th Street from here—from 26th. Just the intersection with Eighth. All the way Downtown the rising Freedom Tower glitters from behind a shroud.
I’m in an odd little annex to the main room on the floor. The 13th floor. 12A if you want to know the truth. There’s a glass partition between us in here and everybody else, as though we’re exhibits in a diorama, or they are.
In the front corner of our space two steps lead to a door that opens upon a strange space behind a parapet. A walkway, except it’s not for anyone to walk. There’s a gutter there, and two industrial air conditioners. It’s the sort of door that no one’s ever meant to open, leading to a place that no one’s ever meant to go.
It reminds me of being about five or six at JFK Airport. We were going to France. I was excited—as usual. The clean and modern, formal space. The candy stands and restaurants and bars. All the people walking by so resolute.
My mom and I ambled through the passageways, looking at the planes. There was ours, a TWA 707, in peppermint-stick white and red stripes in the sun. I saw a door that led to the graveled roof of the concourse below. A door you should not open. A door you must not open.
An old lady with lipstick on appeared. She leaned over me, saying what a cute boy, what a nice boy. She handed me a Jolly Rancher. I took it.
“What do we say?” Mom said.
“Thank you.”
And the lady was out of sight. My mom demanded it from me.
“Why?” I protested.
“Because you never take candy from strangers.”
Labels:
Airplanes,
Airports,
Mom,
New York City,
Work
Monday, October 10, 2011
Jobs Plan
There's a sinister irony in the fact that Steve Jobs is being extravagantly mourned by many of the same people who are participating in the anti-consumerist, anti-corporate Occupy Wall Street rallies, and by many more people who are at least sympathetic to their cause. The purposeful and righteous text, tweet and shoot video from the crowded parks on iPhones and we all view them on iPhones, iPads and Macs. But Apple is an enormously wealthy international corporation. And was Jobs not perhaps the single most powerful promoter of consumerist lust in the history of civilization?
Labels:
Politics,
Technology
Thursday, October 06, 2011
To slug a document is not to scan the text itself, not the words and sentences and their meanings, but rather the contours of the text, the shape it makes on the page. The justification.
I spend hours slugging at my pharmaceutical agency jobs, usually comparing the new round with the last, sometimes reading the words that begin and end a line and reading them again on the backup, thinking about the bad, accidental poems that they make:
Call
Allergic
treatment
chest
or
Your
of
if
Sometimes I abandon the meanings of the words completely—they're too distracting. I see them only as curious arrangements of bent and twisted little lines. I see them as they really are.
I spend hours slugging at my pharmaceutical agency jobs, usually comparing the new round with the last, sometimes reading the words that begin and end a line and reading them again on the backup, thinking about the bad, accidental poems that they make:
Call
Allergic
treatment
chest
or
Your
of
if
Sometimes I abandon the meanings of the words completely—they're too distracting. I see them only as curious arrangements of bent and twisted little lines. I see them as they really are.
Tuesday, October 04, 2011
The Enterprise - 32
Once the Product had been loosed upon the world we found we were mostly powerless to affect its course, to guide its adoption, even to define it. We’d crafted for it the persona of a genial boy-robot, whimsical, wide-eyed and heroic. Yet our audience—our unintended audience—generally treated it as a semi-moronic younger sibling fit for extravagant, humiliating abuse. We also observed in the reports prolonged sexual interactions. Some had a naive, poignant quality suggesting they were conducted by preteen girls, discovering and exploring the erotic nature of the query, the reply, the silence in between. Some seemed to be farcical. But maybe not. In other interactions the Product appeared to play the role of confessor, of an interactive diary. Sometimes, some of the things I saw in the reports—raw cries of pubescent rage, of anguish—anonymized though they had been—I was not supposed to see. No one was supposed to see. I’d read until my shame took hold and forced my hand to close the window.
As a group we were bemused. A little worried. And so we escaped into minutiae. For weeks we debated the issue of help. As in: how should the Product assist a user in need of help?
“We need a help domain,” asserted David.
“Why? It is help already,” said Tom.
“What?”
“It is help. ‘What can I help you with?’ ‘I’d like to know the weather, please.’ ‘Here you go.’ Help is what it does.”
“But what if you need help getting help?” David persisted.
“Then we don’t care.”
“We abandon the user? We give a bad experience?”
Tom shrugged and made his grimace. Conversations went on like this for days, in formal and informal meetings, across e-mail. When one area of concern was resolved, or abandoned in frustration, or forgotten altogether, another was seized upon, invested with significance, raised above our heads to be examined from each angle. We were afraid that if there wasn’t any problem with the Product, there wasn’t anything at all.
One day I happened by Tom’s desk as he was furiously typing code for an application that was to be deployed on a limited basis for a well known e-commerce portal. A demo for the client via teleconference was scheduled for the following morning.
“The only thing I care more about making this thing work is my wife. And my son,” he declared. Never taking his eyes off the screen.
Bob and Fun developed an elaborate mini-site, skinned with the prospective client’s branding, to support the application. I was called upon to provide the copy. Meanwhile Tom coded late into the night, coordinating with the hosting department out west to get the thing up and running.
The demo occurred—I supposed—as planned, behind the closed conference room door, live voices alternating with tinny ones on the speakerphone, query, reply, silence, query, reply. It ended in less than an hour and I never heard a word about it again.
The curious hush in which we normally operated deepened with the passing weeks. We wore headphones, listened to Pandora on the Internet. We communicated with each other primarily by instant message—even with our neighbors. Our work, our interactions—our very lives—we conducted from pixelated sanctuaries, outposts in the increasingly bewildering realm of objects and emptiness, of floors and ceilings and walls. For the better part of the day we fell into the interface. Not quite present. Not quite gone.
What might we look like to a race of aliens? What might we look like period?
I perceived the heat of human gaze upon my shoulder. David had spun his chair and taken off his headphones. Presently he glared at me.
“I know what you’re doing, Paul. And I don’t like it.”
“What?”
“I know what you’re doing!”
“What? What are you talking about?”
“You’re undermining me, Paul. You’ve been doing it all along!”
“Jeez, David. What?”
He threw his headphones and they bounced off his keyboard with a plastic clatter.
“I know more about this than you do! I’m the information architect!”
I assured him that I respected what he did and had no idea what he was talking about. Still, I felt a chill of guilt. What was going on? Was it something? Was something going on?
David stormed out for a cigarette. When he came back he informed me, in the coldly formal tone of the officially aggrieved, that he’d soon be writing a complaint to the human resources department—Sally—his boss—Tom—and Neil, the CEO.
“OK,” I said. “I understand.”
I didn’t understand. I pretended to go on working, my trembling fingers jumpy on the keys.
The following day Tom sat us in the conference room. He’d received some kind of message from David, evidently, but made no mention of its contents.
“I think you guys need to go out and have a beer and work things out,” Tom said.
I nodded agreeably. David was still and mute throughout. Later, at our desks, I sent him an instant message saying: Yes, we should go have a beer. Work things out. He said he thought that was a good idea. We never communicated with each other again.
As a group we were bemused. A little worried. And so we escaped into minutiae. For weeks we debated the issue of help. As in: how should the Product assist a user in need of help?
“We need a help domain,” asserted David.
“Why? It is help already,” said Tom.
“What?”
“It is help. ‘What can I help you with?’ ‘I’d like to know the weather, please.’ ‘Here you go.’ Help is what it does.”
“But what if you need help getting help?” David persisted.
“Then we don’t care.”
“We abandon the user? We give a bad experience?”
Tom shrugged and made his grimace. Conversations went on like this for days, in formal and informal meetings, across e-mail. When one area of concern was resolved, or abandoned in frustration, or forgotten altogether, another was seized upon, invested with significance, raised above our heads to be examined from each angle. We were afraid that if there wasn’t any problem with the Product, there wasn’t anything at all.
One day I happened by Tom’s desk as he was furiously typing code for an application that was to be deployed on a limited basis for a well known e-commerce portal. A demo for the client via teleconference was scheduled for the following morning.
“The only thing I care more about making this thing work is my wife. And my son,” he declared. Never taking his eyes off the screen.
Bob and Fun developed an elaborate mini-site, skinned with the prospective client’s branding, to support the application. I was called upon to provide the copy. Meanwhile Tom coded late into the night, coordinating with the hosting department out west to get the thing up and running.
The demo occurred—I supposed—as planned, behind the closed conference room door, live voices alternating with tinny ones on the speakerphone, query, reply, silence, query, reply. It ended in less than an hour and I never heard a word about it again.
The curious hush in which we normally operated deepened with the passing weeks. We wore headphones, listened to Pandora on the Internet. We communicated with each other primarily by instant message—even with our neighbors. Our work, our interactions—our very lives—we conducted from pixelated sanctuaries, outposts in the increasingly bewildering realm of objects and emptiness, of floors and ceilings and walls. For the better part of the day we fell into the interface. Not quite present. Not quite gone.
What might we look like to a race of aliens? What might we look like period?
I perceived the heat of human gaze upon my shoulder. David had spun his chair and taken off his headphones. Presently he glared at me.
“I know what you’re doing, Paul. And I don’t like it.”
“What?”
“I know what you’re doing!”
“What? What are you talking about?”
“You’re undermining me, Paul. You’ve been doing it all along!”
“Jeez, David. What?”
He threw his headphones and they bounced off his keyboard with a plastic clatter.
“I know more about this than you do! I’m the information architect!”
I assured him that I respected what he did and had no idea what he was talking about. Still, I felt a chill of guilt. What was going on? Was it something? Was something going on?
David stormed out for a cigarette. When he came back he informed me, in the coldly formal tone of the officially aggrieved, that he’d soon be writing a complaint to the human resources department—Sally—his boss—Tom—and Neil, the CEO.
“OK,” I said. “I understand.”
I didn’t understand. I pretended to go on working, my trembling fingers jumpy on the keys.
The following day Tom sat us in the conference room. He’d received some kind of message from David, evidently, but made no mention of its contents.
“I think you guys need to go out and have a beer and work things out,” Tom said.
I nodded agreeably. David was still and mute throughout. Later, at our desks, I sent him an instant message saying: Yes, we should go have a beer. Work things out. He said he thought that was a good idea. We never communicated with each other again.
Labels:
Fiction,
Sex,
Technology,
The Enterprise,
Work
Wednesday, September 28, 2011
Friday, September 23, 2011
The Enterprise - 31
On weekend nights—and some weekday nights—Sean and I drifted through the Village, the Lower East Side, seeking delirious fun, unusual experience, sex with strangers. I don’t know. That we should do this systematically went without question. Though we spent everything we had to spare. And were never satisfied. But again and again, the early evening atmosphere was recharged with the tantalizing promise of it all.
Sometimes we vomited in the street. Sue and Sean and I were at a 24-hour diner frequented by college students. Wasted. I made that feeble, desperate gesture that somehow seems heroic: I tried to drink another drink. In a moment there was a pall cast over me. One moment to the next. It’s good times. Then it’s very bad. I abandoned my pancakes, staggered down the steps and out the door. Got down on my knees and gushed a sour torrent of vodka-grapefruit puke into the gutter of little Stuyvesant Street as passersby smirked and walked around me.
On another night Sean called out to our cabbie from the back.
“Excuse me. Sir? Excuse me.”
“Yeah boss?”
“Would you mind pulling over, please?”
“Pull over? What?”
“Pull over. Please.”
“Where, boss?”
“Pull over. Here. Right here. Please.”
He stopped us along the Park Avenue median. Sean got out and stood between the cab and the curb, fingers in his pockets, hunched against the chill. He tilted his head ever so slightly forward and disgorged a stream of viscous, milky liquid on the street. He spat once. Twice. Straightened up and looked around. He wiped his mouth on the sleeve of his jean jacket and got back in the car.
You go out at night hoping to have sex. To wind up in the cushiony bed of some girl who’s fresh in town, living in a duplex with four or five friends from college, working as an associate producer at a startup that’s gaining traction in the mobile marketing space. You long to enter the rarefied space of her minuscule, shag-carpeted bedroom, redolent of rose perfume, sandalwood and cigarettes, cluttered with artifacts transplanted from her recently vacated dorm: the lava lamp; the shoes in a heap; the little all-in-one stereo; the dresser strewn with hair ties, nail polish, crumpled bills and change; the poster of “The Kiss.” To sit beside her in the loveseat, doing your best to caress her breasts, waiting for the requisite period to elapse before she ascends the ladder to her loft, expecting you to follow. Is that not where you belong?
But you vomit in the street.
Sometimes we vomited in the street. Sue and Sean and I were at a 24-hour diner frequented by college students. Wasted. I made that feeble, desperate gesture that somehow seems heroic: I tried to drink another drink. In a moment there was a pall cast over me. One moment to the next. It’s good times. Then it’s very bad. I abandoned my pancakes, staggered down the steps and out the door. Got down on my knees and gushed a sour torrent of vodka-grapefruit puke into the gutter of little Stuyvesant Street as passersby smirked and walked around me.
On another night Sean called out to our cabbie from the back.
“Excuse me. Sir? Excuse me.”
“Yeah boss?”
“Would you mind pulling over, please?”
“Pull over? What?”
“Pull over. Please.”
“Where, boss?”
“Pull over. Here. Right here. Please.”
He stopped us along the Park Avenue median. Sean got out and stood between the cab and the curb, fingers in his pockets, hunched against the chill. He tilted his head ever so slightly forward and disgorged a stream of viscous, milky liquid on the street. He spat once. Twice. Straightened up and looked around. He wiped his mouth on the sleeve of his jean jacket and got back in the car.
You go out at night hoping to have sex. To wind up in the cushiony bed of some girl who’s fresh in town, living in a duplex with four or five friends from college, working as an associate producer at a startup that’s gaining traction in the mobile marketing space. You long to enter the rarefied space of her minuscule, shag-carpeted bedroom, redolent of rose perfume, sandalwood and cigarettes, cluttered with artifacts transplanted from her recently vacated dorm: the lava lamp; the shoes in a heap; the little all-in-one stereo; the dresser strewn with hair ties, nail polish, crumpled bills and change; the poster of “The Kiss.” To sit beside her in the loveseat, doing your best to caress her breasts, waiting for the requisite period to elapse before she ascends the ladder to her loft, expecting you to follow. Is that not where you belong?
But you vomit in the street.
Labels:
Drinking,
Fiction,
New York City,
Sex,
The Enterprise
Tuesday, September 13, 2011
The Enterprise - 30
A woman named Elisabetta was installed in the vacant cubicle across from mine. She was tall, beautiful and exotic, some scion of Italian nobility. She wore heels and furs and haute couture, big earrings, makeup. Her perfume—florid, musky, syrup-thick—hung in the doldrums and clung to the partitions. Every now and again I’d hear the clickety-clack of her painted nails on the keyboard. She was like some prostitute that no one could afford.
Ostensibly she was in sales. Or business development. Or perhaps sales development. According to the whispers, she was fucking an investor.
One day Derek came storming out of his corner of the room to address her, hands on hips, his rich-boy pretty face twisted with rage.
“What’s the matter with you?!”
“Derek?” she blurted, swivelling around.
“What’s the matter with you?”
“I do not know what you mean.”
“Can’t you do a simple thing? A SIMPLE THING?”
“Whaat? Whaat?”
“I give you numbers to call. Names. Numbers.”
“I did eet! I am doing eet!”
“I’m going to have to fucking do it all myself!”
“I tell you I am doing eet. Calling, calling, calling!”
“Useless!” Derek exclaimed as he turned and walked away, wishing he could use some other words.
For a few more days, she huddled in her mink and played along. And then one day, she failed to appear. Then the next, and the one after that. After a week or two, Steve started taping notes to her monitor, first thing in the morning: “Where’s Elisabetta?” they read, along with the number of days that she’d been gone.
Labels:
Fiction,
The Enterprise,
Winter,
Work
Thursday, September 08, 2011
On the train this morning, a heavyset Orthodox Jew muttering prayers from his Torah and a haunted, middle-aged woman just muttering.
Labels:
The Subway
Monday, September 05, 2011
After the wedding we walked back on 20th Street, from the Castro to the Mission District. I looked up at the hills to the west where low clouds passed quickly, obscuring the base of a giant, skeletal steel structure, tri-cornered, pitched alarmingly forward, perhaps to beam thoughts down to the populace, or to collect them.
Labels:
San Francisco
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