TROOPS

However, as small as the actual number of wrongdoers might be, they can have an outsized effect on the economy—

Into the Mouth Again

When I was in fourth grade at Northwest Elementary School there was some event when old people came to visit. They must have been from a nursing home nearby. Were they invited to tell us their stories growing up, about schools and teachers long ago? Or were we meant to entertain them, to lift their spirits on their long, dull slog towards death? All I can remember is lunchtime, when they joined us in the cafeteria. They sat segregated from us—for their comfort, or for ours, I don’t know.

The menu that day was grilled cheese sandwiches. For dessert, canned peaches in syrup. I stared at a sclerotic man with unkempt white hair. He wore a tan windbreaker. Why didn’t he bother to take it off? His spotted face hung low over his food, as though he were scrutinizing something unfamiliar. Like the others he ate silently, mirthlessly, paying no attention to his tablemates.

He speared a peach wedge and lifted it out of its pleated paper cup. Luscious drops of golden syrup ran down along the edges of the technicolor fruit, and down the white tines of his plastic fork, and onto the institutional pale-green tray. He placed it into his mouth and chewed. The sight was jarring. An old man eating little kids’ food. Accepting something designed for juvenile appetites. Was it humiliating? He didn’t care. Was it delicious? No. But I’ll never forget his air of duty, of determination. Into the mouth. Chew, chew, chew. Into the mouth again.

TROOPS

—one of those the locals called a harbinger—pushed off from its icy eyrie and floated in the thin air,

The tedious progression through the day, the sitting down, the getting up, the walking past strangers in the hall, the yanking of paper towels crookedly from the men’s room dispenser. The afternoon punctuated by another active shooter, on time like a clock.

In the kitchen, a man was telling another about some work trip he’d been on, where he’d expensed a crazy tasting menu.

“One of the dishes was like, this truffle jelly with a straw,” he said. “I was like, what the fuck is this?”

“Ha ha,” said the other.

“But it was fucking awesome,” he continued as I turned my back and walked away.

TROOPS

What did old Eva mean by you watched? How could she help seeing it?

TROOPS

The Third World becomes a reflecting pool that gives a Western Narcissus back his own pale reflection.

Remember those days when all we had to worry about was whether the musicians in that Buena Vista Social Club movie were getting properly recognized for their efforts?

By the pool we lay our towels under trees with compact spheres of branches and leaves, the kinds of trees you look up at and you're afraid a snake’ll fall out onto your face, or at least I am. But they shed only dead leaves, now and again.

Awoke with a new tune in my head, “it's all right” repeated over a one-five progression.

Woke up with “They Can’t Take That Away From Me” playing in my head.

Spain is florid with graffiti. It’s on the walls along the railroad tracks of course, but also on the trains, even encroaching on the windows. At the station in our little beachside town the tunnel under the tracks was completely covered with tags and messages: All police are bastards, Welcome to Altaganja.

What a luxury it is to sit before the blank screen, with nothing to write, the front door open and the sound of a lawnmower in the distance. Nothing to do in the future but swim in the pool and bob for hours in the gentle waves of the Mediterranean.

I recognized the streets, the walls, the contours of town from Google Maps. Everything was in place. As we crossed the bridge over the tracks I looked for something—anything—unexpected. Maybe the blotchy pattern of plaster on the wall of the building down there. But it was only a matter of time before Google cataloged that as well. When will their project be complete? When every paint chip, every cobweb, every blade of glass is documented—and its growth and decay in real time as well. Then the universe will finally be demystified and we can all go back to sleep.

The First Time I Heard About the Disaster of '55

We sat at a round dining table covered in lace, somewhere in the middle of France. These were friends of my parents—was it the family my mom had stayed with as a student? Or someone else they’d met along the way? We were forever criss-crossing the country: Paris, the south, Provence, the Alps, Brittany, the Pyrenees. Who the fuck knew who these people were. I can’t remember.

They were older—older than my parents—which befit the exquisitely bourgeois surroundings. The fine china displayed in cabinets along the wall, the flowered wallpaper, the Louis chairs. There must have been a grandfather clock somewhere.

We were there to eat cake. A classic French cake with meringue and cream and lavender. It was not very good, in my opinion, as it contained no chocolate. But it was sweet, so I ate it. I don’t know why we didn’t eat lunch. Just cake. Maybe we’d arrived too late, stuck in traffic on the autoroute.

Someone mentioned the 24 Hours of Le Mans. The man wistfully recalled the race in ‘55. A car slowed on the track and Pierre Levegh struck it. His Mercedes took flight and tumbled along the stands, disintegrating as it crushed and tore asunder dozens of human beings.

I gripped the silver fork and thrust it into the violet icing. The meringue resisted a little bit—you had to press hard. When it broke, the layers shifted willy nilly. Soon, crumbs and cream covered the floral pattern along the perimeter of the plate. I was afraid I was not elegant enough for this.

TROOPS

He slashed again and I was forced to jump onto dry land.

It poured rain this morning and then a venomous, vengeful sun came out all afternoon. Sodden trash along the sidewalk shocked in its rays.

TROOPS

These rumors were all nonsense—definitively false—as established by the medical examiner.

This morning I sat beside a young man on the train. He was asleep, or half asleep, his upper body listing from side to side. Occasionally his head landed on my shoulder. I shrugged it away a couple of times, but thought: he’s just a tired person on the train. Let him touch you. It doesn’t matter. But it was hard not to reject the intrusion into my space. I pushed him away more gently the next time. He never did open his eyes. Then the seat on the other side opened and I slid over. I looked back at the man and he was now slowly waking up.

Did I dream that I saw the tallest man I'd ever seen the other day? Or did it really happen? I honestly can't remember. He seemed to be a foot taller than anyone else I'd seen. I was with someone—Sara?—and I said something about him, but she didn't seem to notice, or didn't hear me.

Today I saw the very tall man on Carmine Street, smiling under an umbrella. He had a neck tattoo and his daughter trailed behind. At least I thought it was him.

And I watched a homeless man walk across the middle of the intersection of Bleecker and LaGuardia, shopping cart in tow. He ambled through heedlessly, with no regard for oncoming traffic or the color of the crossing light. Like: I own the street, motherfucker. I live here. This is my living room. It’s like he was walking from the kitchen to the couch.

It's a library-themed bar but no one here has ever read a book.

It does have its drunk at the corner of the bar though. I ordered from the empty space beside him and as he got up to get out his smokes he said excuse me unnecessarily and a little too loud, the way drinkers do. Never hurts to get a jump on Step 8 I guess. As I took my beer away he seemed to be complaining to the bartender that he wanted merlot; she gave him pinot noir. That's the type of drunk and that's the type of bar.

Everyone’s gotta make it home from the office party. That means people who hooked up and find themselves in weird apartments in Astoria, just unlucky drunks who have to wait for the PATH, the numbers or the alphabet, Uber, Lyft. Everyone’s gotta make their sad way home.

When I stepped onto the platform at South Ferry I smelled that deep underground New York summer subway smell and I knew I was on the right way home.

We stood in wonder at 20-something people singing the lyrics to 30-something tunes. It never goes the other way. Old people don't sing young songs.

I imagined the music of Stereolab, the High Llamas and the Clientele, all mixed up together. What is it about that music? It makes you feel like you're high on drugs.